“This angel. She’s my favorite angel. I like them best when they’re statuary. They commemorate death but suggest a world without dying. They are made of the heaviest things on earth, stone and iron, they weigh tons but they’re winged, they are engines and instruments of flight.” – Tony Kushner, Angels in America
During my junior year of college, I spent six months working at a theater in Philadelphia. I started about a week after their production of Angels in America opened and was highly encouraged to see the show (all six hours of it).
I had no idea what I was getting myself into.
The utter enormity of this piece really changed the way I looked at theatre forever. I realized that a play could be both extravagant and intimate. It broke all the rules that had been ingrained in my brain since my first playwriting class. It gave me so much hope and is still a source of inspiration.
Bethesda Fountain, located in Central Park, plays a huge part in Angels, and yet it was one of those places I hadn’t truly visited in my many trips to the city. On a gorgeous day last August, I decided to fix it (and bring my camera along).
The fountain is truly magnificent, and you can see why it attracts so many visitors on days like this one. It’s also not far from the iconic Loeb Boathouse, where you can take a rowboat for a spin on the pond.
The terrace directly across from the fountain features these gorgeous tiled ceilings and plenty of room for artists and visitors alike. On this particular afternoon I caught some buskers taking advantage of the space’s interesting acoustics to play some gospel tunes.
Though I haven’t had a ton of time to get back to the park yet this season, I plan to in the coming weeks. The fact that Central Park exists and continues to thrive is truly a testament to what this city is capable of and it makes me incredibly excited to live here.